A variation of regular raku firing where a slip is applied before glaze is applied to prevent the glaze from sticking to the pot. After cooling in a reduction can where smoke penetrates cracks in the glaze the glaze “pops” off leaving a satin finish.
A firing technique that involves placing each piece in a protective chamber (saggar) where checmicals and other organic material can interact with the pot to produce random effects.
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Interested in learning how to work with clay? I offer ongoing classes at Annmarie Gardens and through CSM.
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